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Sacred and Profane Love (Italian: Amor Sacro e Amor Profano) is an oil painting by Titian, probably painted in 1514, early in his career.

Jun 26, 2023 · Uncover the hidden symbols and mysteries in Titian's Sacred and Profane Love, a Renaissance masterpiece located in Rome's Borghese Gallery!

Sacred and Profane Love, 1514 by Titian Commissioned by Nicolo Aurelio, whose coat of arms it bears, on the occasion of his marriage to Laura Bagarotto in 1514, this celebrated painting did not receive the title by which it has come to be known until 1693, in an inventory of the Borghese collection; in the earliest preserved description of the ...

Sacred and Profane Love is an oil painting by Titian, dated 1514, early in his career. Description, analysis, style, history

Let's see the analysis of the secret meaning behind Titian's painting Sacred and Profane Love. Here're the elements and arguments that most people don't know.

The inspiration lies in the idyllic world of the love lyrics of the 16th-century Italian poets Jacopo Sannazzaro and Pietro Bembo. The Three Ages of Man, where the erotic relationship of the young couple is discreetly muted and a mood of tenderness and sadness prevails, is one of the most exquisite of these.

Dec 10, 2017 · Sacred and Profane Love is mysterious an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten to celebrate his marriage to a young widow, Laura Bagarotto.

May 20, 2021 · Sacred and Profane Love, or “ Amor Sacro e Amor Profano ” in Italian, is the title of one of the most famous works created by Renaissance artist Tiziano Vecelli, better known as simply Titian.

The presence of the god of erotic desire upon the flowers during their metamorpho reminds us that the story of love, inevitably sis, whereas Titian alludes more exquisite complex, is informed by intense desires ly to this myth in Sacred and Profane Love and passions, even rage and jealousy.

This figure, as well as the subject of the painting, is strongly connected to the theme of love – expressed here in its dual nature, sacred and passionate – allegorically represented by the two female figures who symbolise sacred Love and profane Love.